![the awakening of motti wolkenbruch review the awakening of motti wolkenbruch review](https://static01.nyt.com/images/2019/09/30/arts/30netflix-Canada/30netflix-Canada-articleLarge.jpg)
“There was a lot of information that had to be compressed down into a few minutes of screen time,” Steiner said. As Motti talks right into the camera, he is whisked from one stage of his past - or expected future - to another. “Wolkenbruch” is based on a novel by Thomas Meyer, and Steiner decided that blending fourth-wall narration with flashbacks was the best way to make the traditions of Orthodox Jewish life quickly and easily understandable to all audiences. But as he soon discovers, Laura is no manic pixie dream girl, and shiksas are not a ticket to freedom. She’s such a dramatic change from the meek Jewish women Motti gets forced into meeting that he begins dating her despite knowing how his mother and community will react.
![the awakening of motti wolkenbruch review the awakening of motti wolkenbruch review](https://uploads.dailydot.com/2019/10/netflix_MottiWolkenbruch_review_1.png)
She’s not only a shiksa…she’s a swearing, hard-partying shiksa. As he notes in a rapid-fire intro, the life of a Jewish man follows a strict road, from circumcision to Bar Mitzvah to arranged marriage to reproduction to death.Īlso Read: 'Windows on the World' Star Edward James Olmos on Playing a 9/11 Survivor Without US Citizenshipīut Motti yearns for his own path, and discovers it when he meets a shiksa - a non-Jewish girl - named Laura.
THE AWAKENING OF MOTTI WOLKENBRUCH REVIEW FULL
In the film, which has the full title “Wolkenbruch’s Wonderous Journey Into the Arms of a Shiksa,” Basman plays Motti Wolkenbruch, an awkward young Jew who is getting constantly set up for dates by his mother with women who, well, are practically clones of her. Now, “Wolkenbruch,” a Swiss romantic comedy now on Netflix, uses it to poke fun at a Jewish teen’s act of romantic rebellion.ĭirector Michael Steiner joined stars Joel Basman and Inge Maux at TheWrap’s Screening Series to discuss the new film, which has been selected as Switzerland’s entry into the Best International Film Oscar race. From “House of Cards” to “Fleabag” protagonists, speaking directly to the audience has become so popular that “Robot Chicken” has riffed on it. In the 2010s, the use of fourth-wall breaking narration has become ubiquitous.